White Cube by Otto Piene
Otto Piene, White Cube by Otto Piene
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Wijnegem
Pictures of the exhibition
Otto Piene, White Cube by Otto Piene
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Wijnegem
Story of the exhibition
This presentation brings together the works of Vassilakis Takis and Otto Piene, two influential artists whose explorations of invisible forces such as light and magnetism invite deep reflection on energy, space, and perception. Piene’s White Cube (1990) and Takis’s Boule Électromagnétique (1962–1968) and Magnetic Wall (2000) stand as key examples of their unique approaches, where the boundary between the visible and the unseen is delicately navigated. Both artists challenge the viewer to engage with these forces in new and profound ways, reshaping our understanding of the world around us.
Otto Piene – White Cube (1990)
Otto Piene’s White Cube is a mesmerizing light sculpture that transforms the gallery into a dynamic and ethereal environment. The interplay of light and shadow evokes a sense of motion and fluidity, creating a space that is both expansive and immersive. Piene, a co-founder of the German ZERO group, sought to break away from traditional artistic boundaries and engage viewers in an active dialogue with the forces of nature. The work, with its continuous projections and subtle variations of light, speaks to Piene’s belief in art as a medium for renewal and optimism—a beacon of hope that expands beyond the confines of the physical world. For Piene, light was not just an aesthetic element; it was a symbolic force capable of transforming perception, expanding the viewer’s awareness, and allowing them to experience space in a new and liberating way.
Vassilakis Takis – Boule Électromagnétique (1962–1968)
The Greek artist Vassilakis Takis, known for his radical approach to the invisible forces that govern the universe, channels magnetic fields in Boule Électromagnétique. This kinetic work brings magnetic energy into the realm of the visible, as the magnetic spheres respond to the surrounding air, creating a dynamic relationship between space and energy. Takis, who famously believed that “energy is everywhere,” invited the viewer to interact with nature’s forces, making the invisible palpable. His work fosters a silent but profound dialogue between the art and its audience, emphasizing the significance of energy in shaping our experiences and environment.
Vassilakis Takis – Magnetic Wall (2000)
In Magnetic Wall, Takis further explores magnetism as a fundamental force. The piece draws attention to the subtle, yet ever-present, interactions of magnetic energy in space, subtly shifting the viewer’s perception of their surroundings. Like Boule Électromagnétique, this work invites reflection on the unseen forces that continuously shape our world. Takis’s focus on the metaphysical and physical realms encourages the viewer to reconsider their relationship with the forces that govern our universe.
Together, these three works highlight the profound impact of light and magnetism—forces that shape the world around us yet often remain unseen. Through their kinetic sculptures, both Piene and Takis engage with the fundamental elements of space and energy, inviting the viewer to experience these forces in a direct and intimate way. Each piece encourages reflection on perception, energy, and the interconnectedness of all things, offering a unique perspective on the invisible forces that continuously transform our reality.